While it would have been nice to have heard the more contemplative tracks that gave Yuck credence (namely the Teenage Fanclub-esque repents of ‘Sunday’ and ‘Milkshake’), the blistering set shows that while the flannel-flecked fad that gave Lou Barlow new clout has slowly petered out, Yuck are in it for the long haul. Of the old songs, the sprawling ‘The Wall’ continues to sound like its laconic, lo-fi riff is collapsing under its own distortion, and ‘Holing Out’ has the Big Muff-infused riffs of the band’s heroes (think Messrs Mould, Mascis and Martsch and you’re about there). Opening with the caustic ‘Cannonball’, with its balls-to-the-wall riff and Max Bloom’s acerbic vocals, the crowd lap up every moment as this bleeds into the ‘Today’-esque riff of ‘Hearts in Motion’. While commercial success alluded them, the four-piece garner a highly supportive crowd, and new album Stranger Things shows that they’re continuing to flourish. Yuck originally came to prominence during the halcyon days of ‘grunge MKII’ (namely 2011), when bands such as Surfer Blood and The Smith Westerns were beginning to flower. The Lizards also perform an admirable set, a psychedelic crunch that is off the scales (pardon the pun). Hazy riffing embellishes the magnificent ‘Teenage Illusion’, while the epic ‘Atlantic’ shows they’ve got ambitions as grandiose as their clothes. ![]() ![]() Yuck enthrall crowd throughout, particularly on crowd-pleasers ‘Get Away’ and ‘Holing Out’ĭespite hailing from Berlin, Soda Fabric have a sound drenched in American history. ![]()
0 Comments
Leave a Reply. |